JOHN FREDERICK HERRING SNR
Surrey 1795 – 1865 Kent
Hounds Bounding in Hot Pursuit
Oil on Panel
9 ¾ x 12 ins. (25 x 30.5 cm.)
Signed & dated, lower centre: J.F. Herring. Sen. 1860
Held in its original gilded stucco frame.
Provenance
Collection of Mr Edwin Goodman by circa 1950, thence by descent.
We are grateful to David Fuller for confirming the attribution to John Frederick Herring Senior.
Hounds Bounding is a charming example of Herring’s art, and in its depiction of hunting dogs is also a rarity for an artist more commonly known as a master of equestrian painting.
The present painting may be compared with ‘Encouraging Hounds’ preserved at the Yale Centre for British Art in Hartford, Connecticut, where the handling and the poses of the dogs are all but identical in their mannerisms. As they race frantically after their prey, eyes bulging and tongues lolling in anticipation, Herring captures their every straining sinew with supreme skill. Combined with his harmonious palette and immaculate technique, the present painting is an exquisite example of British sporting art at its most refined.
A highly successful and prolific artist who ultimately attained the patronage of Queen Victoria, Herring ranks with Sir Edwin Landseer as one of the most eminent animal painters of the nineteenth century. His paintings were very popular and many were engraved, including his thirty-three winners of the St Leger and his twenty-one winners of the Derby.
BIOGRAPHY OF JOHN FREDERICK HERRING SNR
John Frederick Herring was the son of a London merchant of Dutch parentage, who had been born in America. The first eighteen years of his life were spent in London, where his greatest interests were drawing and horses. In 1814 Herring moved to Doncaster, arriving just in time to see the Duke of Hamilton's William win the St. Leger. By 1815 he had married Ann Harris; his sons John Frederick Herring Junior, Charles and Benjamin were all to become artists, while his daughters Ann and Emma both married painters.
In Doncaster, Herring earned his living as a painter of coach insignia and inn signs and his contact with a firm owned by a Mr Wood led to his subsequent employment as a night coach driver. Herring’s spare time was spent painting portraits of horses for inn parlours and he became known as the `artist coachman'. Herring's talent was quickly recognised and he soon found himself painting hunters and racehorses for the gentry.
In 1830, Herring left Doncaster for Newmarket, where he spent three years before moving to London. During this time, he may have received tuition from Abraham Cooper. In London, Herring got into financial difficulties and was rescued by W T Copeland, who commissioned many paintings including designs used for Copeland Spode bone china. In 1840-41, Herring visited Paris by invitation of the Duc d'Orléans, for whom he painted several pictures. In 1845, Herring was appointed Animal Painter to HRH the Duchess of Kent, followed by a commission from Queen Victoria, who was to remain a patron for the rest of his life.
Herring spent the last twelve years of his life at Meopham Park near Tonbridge, where he lived as a country squire. He now broadened his subject matter and painted agricultural scenes and narrative pictures, as well as his better known works of hunting, racing and shooting. Herring exhibited at the Royal Academy 1818-65, the British Institution 1830-65 and the Society of British Artists (whose Vice-President he became in 1842), 1836-52.
The work of John Frederick Herring is represented at the Tate Gallery, the Manchester City Art Gallery and the Royal Collection.